The images in Dusker act as physical expressions of interior states. Situated between exhalation and incantation, they construct a space where the ontological unease of ‘documentary’ photography, the aestheticizing eye of fiction, and the emotional texture of dreams within an always-already fractured reality intertwine.
To see more of Dylan Lewis’s work visit — www.dylantlewis.com, and on instagram @seaphloem.
Seiichi Furuya – Why Dresden Text by Emma Phillips The photographs that populate Japanese photographer Seiichi Furuya’s new book Why Dresden (published by Spector Books, Leipzig) are quietly radiant. Photographed from 1983 to 1984, the book lays bare a personal…
LA folks, tomorrow night ‘Heavy: Volume One’ official ribbon cutting at Family Bookstore with a signing/talk/slideshow from featured artist Stacy Kranitz on her series ‘A Study On Post Pubescent Manhood’, come cop a copy. October 1st, 7 – 9pm, 436…
Kicking off in 2011, This is the Same Ocean is an annual photography journal presenting collections of new work from photographers around the world. Now five issues deep, we see a continued collaboration between editor & publisher Samuel Davison and Melbourne based riso…
